Downtown Broad Street relic; $5 cover, sparse crowds, jukebox beats.
A time-capsule venue that hasn't meaningfully changed in three decades—the decor, seating, even the gum are allegedly original. The $5 cover and happy-hour drink deals (beers ~$5 before 7:30 PM) make it the cheapest entry in Augusta, and it does pull decent Friday/Saturday crowds. But the jukebox-only music, sparse daytime turnout, and strict no-contact ordinance mean this is a low-energy hang best suited to locals who know what to expect, not a destination.
Cramped 1970s layout, single low stage sans pole, street parking easy.
Located downtown on Broad Street amid other activity, with free street parking nearby—a genuine convenience. Inside, the room is cramped and dated: single main stage is low and stageless, side stage barely used, five pole tables in back. No lobby, door opens straight into the floor. Capacity runs maybe 20–30 comfortably; it fills on Friday/Saturday nights but sits nearly empty on weekday afternoons.
Slow bar, short-changed change, no-contact rule strictly enforced.
Bar staff are friendly and attractive, but speed is inconsistent and change-handling has been botched (one reviewer was shorted $4–5). No lap dances allowed under local ordinance; table dances at $10 are the only private option. Door entry is casual. Cleanliness is dim and hard to assess; the venue reads as grungy rather than dirty. Respect is present but not warm.
Rail liquor specials at happy hour; beers jump from $5 to $9.75 after.
No food menu. Rail liquor specials during happy hour (5–7:30 PM) make drinks reasonable: beers around $3.75–$5, mixed drinks $4.75–$6.75. After 7:30 PM, prices spike sharply—beers to $8.75–$9.75, mixed drinks to $11.75. Top-shelf liquor is available. One reviewer noted the rail vodka smelled off. No cigars, hookah, or food service.
Nude stage work, mixed 4–8 range, table dances only, minimal floor interaction.
Nude stage work is the draw. Talent ranges from 4–8 out of 10; most cluster around 5–6, with occasional standouts (one reviewer noted a dancer who seemed out of place, Vegas-caliber). Dancers read the room well, targeting bigger tippers and avoiding those who clearly won't spend. Floor interaction is minimal—girls perform, then retreat to the bar or vanish between sets. Piercings and tattoos are common. Two-song stage sets are standard. No enthusiasm when tips are absent.
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